Crossing the finishing line

[caption id="attachment_283" align="alignright" width="434"] Too good to be true?[/caption]

"Guys! You're the BEST band I've discovered this year!"

Last week, I received this email which momentarily got my heart beating faster. You see, when I lived in Zambia, some friends and I played music together. We recorded a performance at someone’s party and, in the spirit of the times, I put one of the songs (“See the world as the camels do”) up on social media. On myspace. Well, it was 2004; there was no Twitter and Facebook was still confined to Harvard.

‘Stardom beckons!’, I inform our drummer, Antos. But of course, fame and fortune is not the end of this story. I wasn’t taken in; I’m pretty sure if you did grab the bait, you’d soon get to pay Caroline some money to be promoted on her website. If Caroline even exists.

Between CoETaIL and my involvement in our school’s committee, I’ve spent a lot of time recently thinking about social media. How, once you post something, it sticks around and could come back to haunt you. How there are people out there who will prey on your unsuspecting nature. How it can add spice to life.

In other words, to get the most out of social media, you need to be smart about it. Our school has kept it mostly at arm’s length, but we are aware that we must take more seriously our role of educating all of the community about its relationship with social media.

So, when I was invited to join, I asked if I might use the social media committee’s journey as my final CoETaIL project. The learners would be the members of the committee (teachers, students and school leaders).





The project appealed to me because the learning goal is authentic: we actually do need the policy. Our success would be a real-world achievement. SPOILER ALERT: we haven’t got there yet.

One of the features of a goal which is not pre-determined is that you don’t know exactly what it will take to achieve it. Our six week project was not sufficient to ‘achieve a school-wide social media policy’, nor ‘a review process for the guidelines’. So we missed goals #1 and #4, but I believe that we are doing quite well on the other two goals.



But don’t just take my word for it. As you will see in the video, several members of our thoughtful and diligent committee communicated their thoughts. That has allowed me to look at what they may have learned.

On the principle of ‘show don’t tell’ I decided my story could be related without a voiceover. This seems to be in line with the idea of simplicity encapsulated in Presentation Zen. Moreover, as the media are all my own, I haven’t availed myself of Creative Commons. Belatedly, I have made a CC licence for the music:

Attention Deficit by DJ Gearbox is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. Based on a work at https://soundcloud.com/dj-gearb/sets/attention-deficit.

[youtube]https://youtu.be/8fa1kLQroLo[/youtube]

If you can't see the video, you may have to click in the address bar.

WHAT HAS THE COMMITTEE DONE SO FAR?

“... a foundational understanding of what [the school] could do ... a wide range of people involved... including students, which is fantastic. We brainstormed in a variety of ways to eventually come up with our unique model for social media guidelines” David

WHAT WOULD YOU LIKE THE COMMITTEE TO ACHIEVE?

“A document we can work with as a school community ... find a way, once we have the document, to promote it, educate...” Katy

“If it’s not shared by the community, then what is it worth?” Lauren

“... you want a policy that allows you to continue to use social media and doesn’t scare people away from using it.” Gemma

There was no pre-testing of understanding, only afterwards, so I can’t know that their insights resulted from the activities we did. But I do have access to other evidence of learning: my own. I have been, in fact, an action-researcher, both participating and reporting.

It has been a very interesting experience, most notably because the course that we have steered has been determined, meeting by meeting, by the outcome of the previous one. We came up with some excellent ideas, such as relating social media guidelines to the DQ digital intelligences model. Most recently, however, with our eye on the available time, we have resolved to break down our goals into more manageable pieces. Thus, we are now responding to the most pressing need for, as one teacher plaintively informed a committee member,

“a piece of paper in my classroom that just tells me what to do”

In our discussions, we have cast our net much wider, which has provided many interesting ideas, but now we know what we must do in the short term. At our next meeting, which will be the final one of this round, we will consolidate the ideas and form of the requested practical ‘piece of paper’ and the process to implement it.

I have learned that I should have given the committee a clearer remit from the start, but I did not appreciate early on that we would have to limit our scope to produce promptly something tangible. I have also learned that our intensive 30 minute meetings, based around Thinking Routines, are an effective way to make progress, but I know that any repeated format suffers eventually from diminishing returns, so I think we should soon pause and consider a variety of ways we could go about our work.

I hope people who want to know what we did will watch the film and leave a comment.

So, of course, I am not going to get famous. But far from being dismayed by someone using my many-years-old relics on MySpace in a blatant attempt to exploit my ambition, I celebrate how social media allow us to preserve and propagate our creations. I believe, with common sense and education, we can learn to use them to our great benefit.

Dear committee...

"Thank you very much for your continuing support of the Social Media Committee. We have now had 2 meetings which were very productive, I feel. At the recent meeting on Friday 27 October, we generated, sorted, connected and elaborated our conclusions from the first meeting, and as a result, we have an idea-web with which to move forward. Our ideas came from other schools' policy exemplars; our existing digital citizenship agreement (DCA); and our own reflections and research. These were sorted and connected into themes."

in search of a good thinking routine

 The weekend before our second meeting, as luck would have it, I attended a seminar given at our school by Ron Ritchhart and learned a new Thinking Routine which matched closely the goals our committee had for expressing our thoughts: Generate, Sort, Connect, Elaborate.

Our new Director of Educational Technology, John Mikton, who is responsible for the social media committee, has given me some freedom to organise the activities with him. As the pictures show, we have so far held two meetings in which students, teachers and administrators explored other school's ideas and our own unique situation. By the end of the process, we shall have met six times. The UbD planner with goals and evidence are here.

And here is a summary of the activities:

"In preparation for the third meeting, we all will reflect and research the different types of phrasing in the Policy exemplars from other schools in this folder or in any other examples we find. This will help us to establish the tone and style of the policy we will develop."

We are building up a collection of policies from a variety of schools and other institutions here at Diigo.

"Also, in preparation for the third meeting, a Draft Team sub-committee will meet to review the themes emerging from the idea-web. This team will propose to the full committee a framework for the draft policy which we will discuss on 14 November."

In the UbD template, I have summarised what I would like the participants to have learned by the end of the process.

Explain	the important features of a social media policy
Interpret	everyday behaviours with social media in terms of benefits or concerns
Apply	experiences of personal social media use to recommendations for the community
Perspective	of which behaviours with social media are positive for the school community and which are not
Empathize	with those who struggle with social media (through ignorance, misuse, overuse etc)
Self-knowledge	of personal strategies which emphasise the benefits and minimise the harmful effects of social media use

"As I said in the meeting, I would be interested to meet each committee member to record a short audio or video interview about your learning experience in the committee. I'd like to meet you in your place of work if possible. Please let me know if you have an appropriate moment for this discussion (10 minutes)."

Here are the questions I shall use to establish how the members of the committee have come to understand the process of implementing a social media roadmap.

"Thank you for your support. We have made a lot of progress and benefited very much so far from your variety of knowledge and perspectives. I'm looking forward to achieving our goal together in the coming meetings."

The roadmap is not the road

[caption id="attachment_251" align="alignleft" width="168"] Further on up the road[/caption]

"At the end of nine or ten nights he realized, with a certain bitterness, that he could expect nothing from those students who accepted his teaching passively, but he could of those who sometimes risked a reasonable contradiction." (JL Borges in Labyrinths)

My students are working on their most important project in the IB Theory of Knowledge course - the final externally assessed essay. They must choose one title from six, such as #6 below.

The titles beg some questions (what could 'robust' mean in this context?). I tell them to try to explain their ideas to friends or family and if they can't make themselves clear, it's probably because they haven't properly got their head around it yet.

I had the same experience, of failing to communicate my ideas, when telling my colleagues what I was going to do for my Course 5 project for CoETaIL.

It took a little while for me to realise it, but their incomprehension is explained by the fact that I had not myself figured it out properly. As this post sets out, I was hoping to use our school's pilot project for the new LMS as a medium to apply my CoETaIL learnings. In practice though, as we implement the program, there are too many unknowns in the early stages. Initially, the teachers will be dealing with practical considerations and these don't lend themselves to my plan to apply, before Christmas, George Couros' ideas for Today's Classroom. Thankfully, another idea was waiting in the wings.

 

[caption id="attachment_249" align="aligncenter" width="550"] Imagine, aged 17, having to answer this question in 1500 words![/caption]

 

During Course 2, my collaborative project with Stephen in Milan and Valerie in Zurich was to plan a roadmap towards implementing social media guidelines in our respective schools. At the time, the eventual implementation was hypothetical, but the school where I work is now feeling a pressing need for guidelines for using social media. A committee has been formed and I have some freedom to influence how it goes about its work. This is not an orthodox teaching project, but I have found that I can fit it easily into the UbD template if I assume that the travellers along the road are on a learning journey. Instead of lessons, we shall have meetings; we will demonstrate that we have learned about social media within our community by proposing guidelines and inviting feedback; ultimately, our achievement will be assessed by its acceptance (or otherwise) by the school management.



This brings me back to "robust knowledge". In the context of the quotation, I think it is knowledge which is not easily gainsaid. The title is suggesting that in order for a community to know something, the knowledge must be tested to ensure it is robust. There will be areas on which the group has consensus and these can form a basis; but without the challenge of a disagreement, the knowledge will not be required to defend itself against criticism. I'm sorry, that's the convoluted way we are expected to talk in ToK, as if knowledge were a commodity and we agree what it is.

The challenge for the committee, therefore, is to make sure that it tests its proposals for using social media at school. There is a strong human tendency to seek consensus and to avoid disagreement because it feels like conflict. We must make sure that we do not fall into that pothole. The approach we have planned for the first committee meeting next Tuesday is to ask participants (who are students, teachers and managers) to use techniques which generate a multiplicity of ideas (more than we need) so that to formulate the guidelines, we must decide which ideas are the best ones. Between the meetings, we shall continue to research, curate and debate.

The project rubric applied

We shall communicate our guidelines with Visual Literacy strategies appropriate to the different constituencies of our community. (My Course 3 post: A Great and Vibrant Language)

By gratefully acknowledging the sources of our inspiration (at least five will be considered in the first meeting), Copyright will be respected. (C2: I Finally Renounce my Life of Crime)

The project is fulfilling an Authentic need and its Assessment will be whether it is fit for its purpose.

I have long been inspired by the ISTE Technology Standards. In this case, the Citizen category for students and educators are particularly relevant (C1: Taxonomy Domine)

• 
  

  "Educators inspire students to positively contribute to and responsibly participate in the digital world." (ISTE, 2017)

  
  


• 
  

  "Students recognize the rights, responsibilities and opportunities of living, learning and working in an interconnected digital world, and they act and model in ways that are safe, legal and ethical." (ISTE, 2016)

  
  

Although this will be a committee meeting, we shall need skills of Classroom Management.

The committee will be put in Active Learning situations in which members generate their own ideas and reflect on their experiences of social media.

It is important that the Use of Technology is not gratuitous. Most of the activities in our committee will encourage face-to-face communication; the dialogue and curation, which will continue between meetings, will be facilitated by technology. (C4: What the 1 to 1 classroom has taught me)

We shall be successful if robust guidelines emerge from our consensus and our disagreements.

Three challenges to my literacy

Could this week's reading help me find solutions to three questions which are related to my teaching for next week?

• Are photos of famous artists' paintings protected by copyright?


• A 1981 thriller about a Russian agent who becomes US president - is it really Donald Trump's favourite novel?


• What would be a good poster campaign to encourage students to exchange screen time for face-to-face?

Respectively, these questions challenge my Information, Media and Visual literacy skills.

INFORMATION LITERACY

[caption id="attachment_128" align="alignright" width="300"] Image and rule of thirds by SW[/caption]

In my classroom there is a collection of several hundred art postcards which I have collected from around the world over the years. I used them last week with my Grade 11 Theory of Knowledge class. We are considering The Arts as a way of gaining knowledge and I had asked the students about the different ways in which one might appreciate art. In groups, they discussed randomly selected images (aesthetic, representational, didactic or expressive was the schema I proposed). Usually, the pictures fell into more than one category.

The cards mostly have copyright notices which has led me to wonder what restrictions there are for me to use them in published works such as this blog or the teaching materials I post online. Does the copyright apply to the photo of the painting or the picture itself (which is only ever available as a photograph, of course)?

When I type 'Picasso' into Pixabay, no paintings are returned, presumably because he died less than 70 years ago. Yet Google images offers many results which are apparently 'labelled for reuse'. It seems that the advice I must give my students is to dig deeper since you may not have permission even if the website says you do.

MEDIA LITERACY

[caption id="" align="alignright" width="229"] Alternative fact or fiction? hilobrow.com[/caption]

In his Theory of Everything podcast recently, Benjamen Walker reveals the 1981 novel 'The Twentieth Day of January' and makes a number of startling claims:

• It describes an East Coast outsider populist who becomes US president


• The Soviets blackmail the candidate with clandestine photos


• They also influence the election (in the novel!)


• Trump has been promoting rapprochement with Russia since he befriended a KGB agent in the 1980s


• He has been telling people for years it's his favourite thriller

This week I shall be supporting our librarian in a session with High School teachers on research skills. We want to help them to model critical thinking skills for their students. I plan to play to the teachers a short extract of Walker's podcast and challenge them to investigate the facts (particularly: has the president really read the book?). We will ask them to tell us how they would go about verifying the claims and share with them SDSU's advice ("Are any conclusions offered? If so, based on what evidence?"... "What are the perspectives, opinions, assumptions and biases?"). I do not know the answers, but I am reading the book.

You may be familiar with the hoax websites Tree Octopus and Mankato beloved of information literacy teachers down the years. I don't think we need them any more to illustrate that not everything online is what it seems.

VISUAL LITERACY

During the Christmas vacation, as suggested in an earlier blogpost, I disconnected myself from the Internet. One of the effects was that I read more books than I would have. I am back online now, but I have learned that to be happiest I need to push the digital world a little further away from me. My solution is that my devices spend most of their time on my work desk while in our living room I read paper books and magazines.

[caption id="attachment_127" align="alignright" width="207"] Could you be a bit more tech-positive? Image by SW[/caption]

I am not alone in my conclusion that one must strive for a healthy balance between the digital and analogue worlds. Last week I spotted a number of posters around the corridors of our school (example on the right). I don't know who, students or teachers, put them up but they don't reflect an official school policy. In any case, it is not a message that I think will promote responsible use of technology.

"Noticing the construction of a message helps one become a more critical, questioning reader and viewer" (Hobbs)

Rather than charge in and criticise the posters, however, I feel I can achieve more through the educational process. With my colleague facilitator, I am developing a course for Grade 6 students called 'Get Set' which is designed to prepare them to function well in our 1-to-1 laptop classroom environment. For our next unit, we will discuss how to achieve a healthy approach to screen-time.

We will discuss posters such as this one and consider critically the message it implies. The students will prepare an information campaign. What are the behaviours we desire? Should we instill attitudes by education or coercion? Can we use techniques of visual communication to influence the school community to use technology responsibly?

These literacies are not as new as we might think since, in essence, they boil down to a refusal to take things at face value. Whether we are dealing with intellectual property theft, conspiracy theories or technophobia, the prime need is that we learn to think critically.

Social media are changing who we are

"Our body is physiologically rewarding us for talking about ourselves online" Moffit and Brown, ASAPScience video (below)

[youtube]https://youtu.be/HffWFd_6bJ0[/youtube]

It is clear from the research behind this video, that using social media not only changes what we do, but also who we biologically are. Most people in one study regularly experienced Phantom Vibration Syndrome. Being online all the time can have serious consequences. How long before smartphones get statutory health warnings?

I have been talking this week with two CoETaIL colleagues about the guidelines for using social media which our schools need but don't yet have. Our project was structured around four face-to-face skype calls over 12 days during which we evolved a process; set ourselves homework; tweaked our plans; and got to know each other. I have met Stephen briefly before in real life, but I've never met Valerie. It is appropriate that a social medium has been one of the crucial elements in our project.

"We would like to collaborate in a process to gather information and ideas to help each of our schools arrive at some guidelines for teacher and student use of social media." (Valerie, Stephen and Steve)

Our process is woven from a few strands:

1. We each conducted an investigation in our school, wishing to know how their different cultures would influence the process of drawing up social media guidelines. I received 99 responses to my survey (see right). The anonymous findings are collated in a document. We then read each other's summaries, commented and asked questions. It's not only a document but a rich conversation.


2. Early in the project we read "How to create social media guidelines for your school" (Anderson). It gave us a starting point for our fruitful discussion and suggested a possible process we have elaborated into our roadmap to social media guidelines which reflects the common understanding collaboration has led us to. We intend to present the document at each of our schools as a proposal for a way forward. It is embedded on my CoETaIL projects page.


3. Research into the solutions which other institutions, both educational and secular, have drawn up to support their individual circumstances. This included a pertinent exchange with John Mikton.


4. Frequent back and forth between us; not only the skype conversation, but also dozens of emails.

When that is all done, and this blogpost is finished, I will have completed CoETaIL Course 2. It has been a rewarding experience, not least the current collaboration with colleagues who, although we work in different countries, are nevertheless similarly faced with teachers and students in need of guidance about social media. As I concluded in a blogpost I wrote elsewhere, collaboration can be really difficult. We all bring our ideas to the table which enrich the project, but we must equally abandon some of them. The reward is a more complete product than any individual could have made. That has definitely been the case with Stephen, Valerie and me - and it was painless too.

During Course 2, I have been immersed in ideas about what perpetual connection to the Internet might mean:

• What will we do if the platforms to which we entrust so many of the stories of our lives do not live forever?


• How do we properly advise our children about social media when, if we are honest, we do not know many of the answers ourselves?


• What is the incentive to play fair about copyright when the chances of being caught are minimal?


• Is it wise of us to accept, however knowingly, the Faustian bargain of Facebook?


• What will be the long term effect of the digital contrail we are constantly leaving behind us?

These were the questions posed by my five blogposts during the course. I am certain that we do not definitively know the answer to any of them.

I greatly admire the performance artist Marina Abramović. You may have seen the film in which she sat in the MoMA in New York and met thousands of members of the public in silence, one-to-one, staring into their eyes, day after day. It's amazing to see.

She has a very clear view of the ways that we live our lives and how we can make changes which expose the assumptions we had taken to be facts. Speaking on the Note to Self podcast, she recommended:

"switch off your telephone... take a chair next to the window... and do absolutely nothing... What happens to all that energy that you have? You start thinking about the things you never have time to think about... you get into this state of peacefulness... three hours of your life" (Marina Abramović)

Is that really so extreme? I don't think so. We often spend three hours on activities a Martian would find strange. Sometimes, you can learn about the ubiquitous only when it is removed for a while.

So, following a couple of months in which I have spent a lot of productive time on CoETaIL, thinking about familiar things in new ways; learning to write regularly; making new friends, I have decided to call time on my life on the Internet. I don't know what it will be like, but my plan is to be completely off the grid for at least two weeks. I hope that, by cutting loose temporarily, I will gain an insight into what it means to be continually connected for the rest of the year.

"Christmas is supposed to be fun and you want to lash yourself on the back?" (my son on hearing my plans)

"We have to trust this gut feeling that we are completely f****d up with technology" (Marina Abramović in Huffington Post)

 

5 must-use social media for 21st century students

You clicked! Are you also tempted by list blogposts and then find the content disappointing? There is a list at the end of this post, however.

When I asked my colleague Dave's class of 13 year-olds here in Northern Europe how many of them were regular users of Twitter, I expected, if not a forest, at least a copse of arms. Three. All boys. In a class of twenty. Further interrogation revealed that only one of the three used his account actively (to keep in contact with players of a particular game). Other classes turned up the same picture. Dave and I had planned to use Twitter as a means to generate real-time conversations among the students. They dutifully cooperated, but treated it as a quaint adult preference. We persevered for a short time then looked elsewhere.

[caption id="attachment_105" align="alignright" width="467"] Subjective selection of data by SW[/caption]

My finding was confirmed in an interesting spreadsheet of bandwidth use on our school's wireless network shared by Olivier, the IT manager. I extracted a subjective selection of sites which I believe are used largely during students' leisure time and generated a graph. Top of the list are four 'consumption' sites, followed by Snapchat which leads the social networks. That's Google+ resting his lazy butt on Twitter, Pinterest and WhatsApp.

The idea of online social networks is still young. If it was born in 2003 with myspace.com, then it has only just become a teenager. Soon Facebook surged ahead and has maintained that lead as it continually evolves. Twitter joined the pack but seems to be flattening out in terms of active users. Pinterest, Tumblr, Instagram, PutieDami. When I told my students about the graph above, they were unsurprised that Snapchat is top of the tree at our school. I predict, though, that in three years' time, 13 year-olds will be communicating with a network we haven't even heard of yet. Who could have foreseen 10 years ago that the brevity of 140 characters would be so alluring, or that pictures that expired within 10 seconds would captivate a generation?

[caption id="attachment_108" align="alignleft" width="167"] Everyone has his own tech landscape[/caption]

Though claims of exponential change can appear exaggerated, social media platforms do seem to have followed an accelerating pattern. With growing frequency, each cohort of young people seeks its own medium which excludes not only their parents but even their older siblings. We do not know what will happen given that apparently big beasts can became evolutionary dead-ends within a few years; the social network ecosystem is savage.

There are consequences for our approach as educators. Many of us have realised that we must harness the power of the tools of the digital age, whose astronomical processing power and global reach enable billions to interact irrespective of geography. It makes the magic in wizarding fiction seem tame by comparison. But since your students may not be using the same tools as mine; since their younger peers are already looking elsewhere; since every tech start-up has the incentive to ensnare the next generation with novelty, what are the universal principles which will guide us in helping them to use the proliferating platforms beneficially?

It's all about communication. Do we comprehend each other? Do our exchanges promote respect and understanding? Are we making the world better? I'm not talking about digital social media here, but all of the ways in which groups of people can share ideas.

 

FIVE SOCIAL MEDIA ALL STUDENTS MUST MASTER

1 Language

Language is a medium for social exchange. We must teach our students to use it to convey meaning; to avoid misrepresentation and to develop new understandings between people.

2 Kindness

It is too easy to let our impulses get the better of us and to behave unkindly in the heat of the moment. We must help our students to recognise that there are myriad ways to treat others with consideration, each of which makes the world a better place.

3 Emotion

All human interactions have an emotional element. Our students must learn not to be afraid to communicate how they feel and to be able to read the emotions of others.

4 Critical Thinking

We have access to a virtually limitless ocean of information, much of which is unmediated by quality control. From an early age, young people must learn how to weigh carefully the words and images they are served.

5 Culture

The more we are exposed to different points of view and ways of living, the more we realise that what is familiar to us is merely one mode of being. Educators must help students to see that human experience is diverse and that no culture is superior to any other.

Explain it to me like I was thirteen

[caption id="attachment_99" align="alignright" width="378"] We are not amused: Licensed under Creative Commons by Carl Lender on wikimedia[/caption]

Two days ago I watched the film 'Queen Live at the Hammersmith Odeon' from 1975. It took me back to when I was 13 and discovering exciting cultural phenomena. My parents did not agree and pomp-rock was absent from the family playlist in those years. The enjoyment I experienced as a teenager has prevailed, however, despite the domestic disapproval of 40 years ago.

Thirteen year old Greg Hoffman got an iPhone 5 for Christmas in 2012 and the next day his fearful mother, Janell, issued him a contract. There are 18 points to the contract, of which half are rules such as: "It does not go to school with you". There's also some good advice: "See the world happening around you". Janell acted on one of the foremost duties of a parent: to protect her child from the dangers of the world. The iPhone "scared the hell out of me", she admitted. Her reaction was one-sided; there was no negotiation. She wrote up the contract in 20 minutes and presented Greg with a fait accompli. Five years later, it's still on her website, unchanged; you can download the contract and impose it on your own kids.

There are many times when our superior experience of the world entitles us to instruct our children. In issuing her commandments to Greg, Janell ("being bossy is fun") felt she knew what could go wrong and decided the best solution was to be authoritarian. It's an understandable motivation.

Many schools, in advising their students about how to use technology, do the same. They try to manage behaviour by proscription and disapproval. In loco parentis, they have the right, and sometimes the duty, to forbid harmful activities. But like anything else, adults are not qualified to make up rules about technology unless they first take the effort to learn about it.

In 2015 in the 'Status Update' edition of This American Life podcast (first 14 minutes of the episode), Ira Glass talks to Jane, Julia and Ella, teenage girls who spend a lot of their lives using Instagram. The conversation is not judgmental and the girls describe in fascinating detail the specific language and rituals of their culture. It is clear that they have thought intelligently about the pitfalls and benefits. This is not to say that they are not in need of advice and guidance on occasion, but the programme respectfully takes the opportunity to learn about why teenage girls use Instagram rather than condemning them from a position of ignorance.

Schools often do not give their students this degree of consideration. The adults, alarmed by the potential for misuse of mobile devices, and sometimes influenced by anecdote rather than research, devise rules which seek to ban the unpreventable. Their false assumptions are twofold. Firstly, they assume they know what the students are doing; secondly, they assume the students are unaware of the consequences. Children are more sophisticated and reflective than we often give them credit for.

The school where I work is trying to respond rationally to the use of social media. We have a 'Digital Citizen's Agreement' which applies to all members of the community. The agreement considers in general terms "Internet and devices" and addresses "abusive behaviour", but does not offer answers to the questions we have about how, if at all, we should integrate social media into school life (of course, this integration did not wait until we had a policy and has already happened organically).

What would a good 'Social Media Policy' look like? Presumably it would have to address many aspects of school: social communication by adults and students; educational uses; marketing of the school; teaching strategies. The policy might discourage or prohibit certain activities, but it would be written from a position of knowledge obtained by research. Crucially, I hope it would embrace how students and teachers actually use social media and it will also look forward to ways in which we can promote positive attitudes to life online and off. This is where we are right now, wondering where to go next.

Last week, at the ECIS Annual Conference, I met fellow Online 7 cohort member Stephen Reiach. We agreed how each of our schools is in need of a robust policy covering social media. We are now discussing how we can make the process of informing a social media policy the focus of our joint Course 2 project. Are any readers of this blog interested in joining us? If so, please leave a comment below.

Please leave a comment even if you are not wanting to work with us!

 

I finally renounce my life of crime

Many years ago while holidaying in South America, my friend and I were robbed at knifepoint. We had ignored advice and ventured into a deprived area of town. The young men who surrounded us were probably disappointed, however, when, wrenching it from my wrist, my Rolex fell apart in their hands. Sadly for them I was not a rich mark, but rather a cheapskate buyer of counterfeited goods.

[caption id="attachment_96" align="alignright" width="306"] Pirate loot[/caption]

My history as a pirate began many years earlier and I feel it is finally time to confess. Forgive me, for I have sinned. I have recorded hundreds of albums on cassette tape; I have bought bootleg LPs; ripped CDs; torrented music and movies. As I have moved to new destinations around the world, I have quickly learned where the illegal DVDs are sold and how the local authorities tolerate the trade.

Nor in my work have I been scrupulous. I have downloaded videos and music from YouTube; used photos without attribution; uploaded past exam papers to the public Web. I have done these things for what I thought was the benefit of my students. I turned a blind eye to colleagues who did the same; in fact I taught them the mantra: Everything is acceptable in the pursuit of educating young minds which is a sacred task. I didn't try to find out what the rules actually were; I assumed they were complex and inconvenient. I was confident that I wouldn't get into trouble. When a bounty hunter working for the IB got some of the exam papers taken down, I shrugged.

There may have been more (did I mention the Converse All Stars that weren’t? The boxed set of The Wire?), but that's more or less the size of it. Amen. I did it because I could, because it was easier and because I got away with it.

As we are often quick to tell our students, it's not relevant whether other people are doing something wrong too. I wasn't trying to make money, I just repeated the mantra and carried on teaching my students. I have learned over the years that, whatever they say, in many cases, people are more motivated by the fear of being caught than ethical issues.

I have, at least, always been respectful of writers and have given credit for the words I have used. But, as members of society, we shouldn't just make up rules to suit our own prejudices. Even though there are cases in life for civil disobedience, disregarding the intellectual property of other people is not one of them. The ownership of the products of one's creative labours is an important right and the fact that "in the digital world the one fact we can't escape is that every single use of culture produces a copy" (Lessig) does not mean that copyright is unimportant.

[caption id="attachment_95" align="alignleft" width="355"] Licensed under Creative Commons by Silvia Tolisano[/caption]

Surprise, surprise, it's not actually that complicated. Clever explainers like Larry Lessig and Silvia Tolisano have helped me to understand what I need to know about Creative Commons and why it is important. Lessig is a modern-day hero who has applied his creative legal mind to the new situation where culture embraces the remix. Tolisano (left) has provided a superb and useful summary of the precise recipes we can employ for almost every situation we find ourselves in. Inspired by their work, I am contrite and I shall perform three immediate actions.

In the past, my attributions have been inconsistent, but now I am going back through my writings (at least on this blog) to put things right.

Secondly, for some time I have been creating my own images to illustrate my blogs and presentations. I shall begin to use Creative Commons licenses for these artifacts to make clear the re-use I am happy to accept.

Lastly, I shall delete the pages on my old website which the "anti-piracy" man working for IBO has failed to find. It doesn't matter that the papers are old, freely available elsewhere and useful to teachers and students, nor that my goal is purely educational, the IBO has a right to keep them to itself if it wishes. We can't pick and choose.

So, why are our students bad at respecting copyright? There are various obvious reasons (such as a lack of modelling from their teachers), but we should ask ourselves: "What is their incentive to observe others' intellectual property rights?" when being 'good' is inconvenient, time consuming and, in general, there are no adverse consequences if we're bad.

My colleague, Becky and I have discussed how best to instill this important attitude in our Grade 6 students. After explaining the mechanics of Creative Commons, we have set a task for the students to make their own creative work (a personal logo). At the end of the unit, they will all obtain their own Creative Commons license for the logo, making personal decisions about attribution, sharing and derivations. We are hoping that seeing themselves as creators with rights, they will more readily appreciate the rights of others.

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Footnote: So I have put a Creative Commons Attribution 4.0 International License on this blog (see below) which is the most permissive, only requiring attribution. it covers everything on the blog that is mine. I'd be very interested in any comments as to whether I have made a good choice and done the right thing (for example, what is that copyright sign doing there?).

Digital contrails

[caption id="attachment_78" align="alignright" width="299"] SW: freely modified from Pixabay images[/caption]

Last week I overheard a conversation between some students. They were discussing one of my colleagues. A student had found his Facebook profile, and via someone else who had tagged him in a photo, they had got to some pictures of a visit to a strip club. The teacher hadn't visited the club himself, but the association had been made in the students' minds. And they were telling their friends. Teachers are sometimes dismissive of their search skills, but do not underestimate students' tenacity when they are motivated.

Like many of my colleagues, I believe that schools are well-placed to help students to make the most of the digital world. Do we have the answers? No. The best we can do is to jump in and learn along with them.

So I had a look at my Facebook profile as the public sees it (it's only three clicks away) and apparently I changed my settings a year ago because that's when the visible posts dry up. Before that, anyone who is checking up on me will see that I had just met old friends in Barcelona (and someone mentioned alcohol in the comments); I was recommending a lot of movies and books (many with challenging content); and talking about my favourite music (some really unfashionable artists). Interesting to me, but boring to almost anyone else. But should I be so relaxed or must I worry that "someone could always dig it up and use it against you" lifehacker.com?

When we talk about our 'digital footprint', this is one of the fears we have: that we inadvertently reveal information which can harm us either by our own carelessness or by the oversharing of other people in our network. If you followed me around all day in the real world and caught snatches of my conversations with all of the people I meet, you would learn things about me I hadn't intended you to find out. Along that road lies paranoia, and one solution is to have little or no public online presence at all. But that's not for me. I would rather you saw me as a rounded (even fallible) human with diverse (sometimes messy) interests than a carefully curated brand.

[caption id="attachment_79" align="alignleft" width="491"] Firefox and Linux user from Greece. They didn't ask permission, they just took it.[/caption]

Your deliberate online presence is something you are in control of. But there is a much more pernicious element to the data-set that has been generated about you that makes me think not of a footprint but of the contrail left by an aircraft. You may think you've come to this blogpost anonymously, but the server has recorded when you came, where you are in the world, what browser and computer you're using, which webpage you last visited (yes! none of their business, I know, but it's all there in the server log and accessible to the owners of the site). Those widgets that count visitors know all those things about you because your treacherous devices have told them.

"Every time you "like" something, share something, tag yourself in a photo, or click on an article on Facebook, the site collects data on you ... They also track what device you used to log on, what other app you came from, other sites you've visited, and much more." Manoush Zomorodi, Note to Self podcast

Facebook does not make it too hard to confirm that they are reliant on our data. Explaining their cookies policy, we read that cookies help Facebook to serve ads; measure how often we click on them; and gain insights into our behaviour. I learned from Note to Self that I could see what Facebook has inferred are my preferences. Most of it was accurate, though I learned that they had identified interests in alabaster and anarchism. I keenly await that targeted ad.

But Facebook's knowledge about me is tiny compared with Big Brother Google. Again, it is easy to understand why Google is interested in my data. At myactivity.google.com, I see that today, on a number of devices, in 3 different countries, I accessed 170 pages which covered this blogpost, the news, some maps and the usual aimless surfing. You'd know a lot about me if you had access to that information every day. Furthermore, have you ever been to your Google Timeline? There is a calendar and I can relive any day in the last few years including a map of where I went that day and the photos I took. Here is their almost accurate world map of my recent years on earth (they logged my 2 US roadtrips but missed the Asian trip (thanks, China!)).

[caption id="attachment_76" align="aligncenter" width="525"] Where Google thinks I've been in the last few years - mostly correct[/caption]

In his Theory of Everything podcast, Benjamen Walker observed that an ad which was "following me around on the Internet", stopped once he visited the shop and tried out the product. The thing is, it is easy to be paranoid when every day, like a jet-plane, we emit a billowing cloud of data which reveals our locations, our interests and our secrets. It is worth the while of organisations with astronomical means to recombine these scattered particles into the story of our journey though, sadly, most of their impressive effort only goes into making a bit more cash.

If we let our justifiable qualms force us into hiding behind Privacy Settings or into holding our tongue for fear of being too public, then we are the poorer for that. If we only communicate our fears to the students instead of our enthusiasm for the potential of humankind's great invention, then we fail as teachers. Whether we like it or not, our students do not have a choice about engaging in the online world, so we must make sure that we use the battery of skills we have as educators to show them how to leave a footprint that enriches their lives.

"That's kinda crazy. They don't know they gonna die one day and that stuff's still gonna be on the Internet? I wanna make something I gonna be proud of" rapper Danny Brown on the All Songs Considered podcast (at 21m 50s).